Europäische Medienwissenschaft - Personen - Lehrende - Portrait

Biografie
Video Installation Exhibitions
Digital Film Selection
Website/Multimedia
Executive production of
Selected Articles

Biografie

Ihre Filme und Videoinstallationen werden auf Internationalen Festivals wie dem International Festival of New Film Split, Rotterdam Filmfestival, European Media Art Festival Osnabrück, World Wide Video Festival Den Haag oder Art & Video in Europe Kopenhagen gezeigt wie auch in Kunstzentren wie dem Centre Pompodou Paris, dem MoMA New York, dem Stedelijk Museum Amsterdam oder dem Nippon Cultural Centre Tokyo.
2003: Dozentin für Videoinstallation am Chicagoer School of the Art Institute
1999: Ein Stipendium des Nipkow Programms führt sie nach Berlin, im folgenden Jahr: Besuch eines Fortbildungskurses für Digitale Filmproduktion in Babelsberg.
1994: Mitbegründerin der unabhängigen Produktionsfirma für Digitale Kunst "De Filmfabriek".
seit 1993: freischaffende Arbeiten sowie u.a. zusammen mit William Forsythe und Wim Vandekeybus.
1988: Abschluss des Studiums
danach: Arbeit als Regisseurin in der
Abteilung für Videokunst an der Katholischen Universität Leuven und am Vlaams Theater Instituut Brüssel
Studium der Kunstgeschichte in Leuven und Videokunst an der Hogeschool Sint-Lukas in
Brüssel
1960 in Sint-Niklaas (Belgien) geboren.

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Video Installation Exhibitions

2004

Maximiliaans Gartenlaub(e)chen
a queer one screen cinema constructed on a stair, showing two strangers living in the woods of Berlin. With Antonija Livingstone and Antonia Baehr.
Ausland, Berlin, November 2004
Interzone
Berliner Festspiele - KONZERT OPER 04
Eight right-angled white screens form a circle around the public and the musicians. They are sitting in the inner circle of the so called zoetrope.
Video installation as stage setting for a concert based upon the work of W.S. Burroughs.
Music composed by Enno Poppe
Libretto written by Marcel Beyer
Produced by Berliner Festspiele Festwochen
Opening of Konzert Oper 04, Berlin, September 2004

2000

Jetzt
Five channels of colour video playback on a black wall and a white floor.
Video installation, as a part of the dance performance 'Jetzt'- directed by Thomas Hauert.
Jetzt concentrates on the unique instant between the fall and the landing of a human body.
LuzernTanz, Luzern, 2000
Kaaitheater, Brussel, 2001
ADC, Genève, 2001
Centre Pompidou, Paris, 2001
Festival de la nouvelle danse, Uzès, 2001
Pôle Sud, Strasbourg, 2002
Tanz in Olten, Olten , 2002
Dans in Kortrijk, Kortrijk , 2002
CC Hasselt, Hasselt / België, 2002
Klapstuk, Leuven / België .2002
SZENESalzburg, Salzburg, Oostenrijk, 2002
(Nes)Frascati, Amsterdam/Nederland, 2002
Tanzquartier, Wenen/Oostenrijk, 2002

1997

Locus Solus
One channel colour video playback on a glass plate suspended from the ceiling. Two channels amplified sound.
A negative image of a head, projected vertically. This head repeats over and over again, but very slowly: ‚Everything will be allright'.Boijmans van Beuningen, Rotterdam, 1997
Galerie ‚XSO', Antwerpen, 1998
Everything will be allright
Seven channels colour video playback on 2*3 screens and one monitor. Six channels amplified sound.
Humans are afloat in narrow containers, weightless and most of the time motionless. There are two rows of containers, seamlessly attached. As in a Museum of Natural History, the visitor can walk between the two rows or between the screens and the projectors. Every now and then a wave of motion goes through the containers, as if something disturbs the hibernating creatures - but this passes and everything goes on in the same soothing way. With Peter Missotten and An-Marie Lambrechts
‚Het Stedelijk Museum', Amsterdam. 1997
European Media Art Festival, Osnabrück,1998
Galerie ‚XSO', Antwerpen, 1998
De melkfabriek, Utrecht, 1999
World Wide Video Festival, Amsterdam, 2003
Not Live-En Direct, Festival Temps d'Images, Brussels, 2003

1995

Faustae Tabulae
One channel colour video playback on two rotating screens. Live music and one channel amplified sound.
Video installation, as a part of the theatre performance 'Faust'- directed by Thierry Salmon
based upon Paul Auster and Ph.K. Dick.
KunstenfestivaldesArts, Brussel, 1995
Festival di teatro, Bologna 1995
CRT Milano, Italy, 1995
Adjuntement de Barcelona, Spain, 1995

1993

The Mindmachine of Dr. Forsythe
Seven channels colour video playback on six glassplates, hanging on six huge cranes. Two channels amplified sound.
Co-Directed by Peter Missotten and An-Marie Lambrechts
Nine dancers of the Ballett of Frankfurt, move slowly on glass. As bacteria stranded in a giant microscope. They leave their bodies' imprints on glass, redrawn and rewritten with every new movement made. Transcriptions - glyphs on glass. Antwerpen Kulturhaupstadt 1993,
Oper Frankfurt, 1994
World Wide Video Festival, Den Haag 1994
European Media Art Festival, Osnabrück,1994
Nippon Cultural Centre, Tokyo, 1994
Eisfabriek, Hannover, 1995
Art & Video in Europe, Kopenhagen 1996
Klapstuc 1996, Leuven
Not Live-En Direct, Festival Temps d'Images, Brussels, 2003

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Digital Film Selection

2004

The Lady is Hungry (in preproduction)
Play with the imagination of women bodies on various levels, by women filmmakers and artists since the last twenty years. The essay film wants to examine the evolution of women images from the seventies to the digital image worlds now. The Lady is Hungry explores and links to topics like geography, body, technology and history.
Production: Uta Ganshow, Twenty Twenty, Berlin.

2001

In a landscape
The video creates a series of explorative spaces of Berlin during the night. With extreme digital zooms I filmed connections between these spaces, me as an observer and other women. Based upon the music of John Cage, In a Landscape.
Live Performance
Cinema Nova, Brussels, 2000
Museum van Hedendaagse Kunst, Antwerpen, 2001
Museum van Hedendaagse Kunst, Gent, 2002
Kino Arsenal, Berlin, 2002
Stuk, Leuven, 2003

1997

The Way of the Weed
Year is 7079. Researcher Thomas McManus is dropped in a desert and is meant to find out about an old experiment. He gathers samples of the desert grounds and discovers the collector, the place where the former experiment used to take place. He manages to hack into the computer and is stunned: instead of discovering weed and weed movements he stumbles into a team of weed researchers, or rather whats left of them.
Based upon ‚Locus Solus' of Raymond Roussel.
Co-Directed by Peter Missotten and An-Marie Lambrechts.
Prizes:
The new Visions Award von Film+arc.Graz, 1997
Selection:
Rotterdam Filmfestival, Exploding Cinema, 1998
Viper, Luzern, 1998
Centre pour l'image contemporaine, Saint Gervais, Geneve, 1998
New York Video Festival
Lincoln Center Festival, New York, 1998
3. International Festival of New Film Split, Split, 1998
Image Forum Festival, 1998
Moma, New york, 1999
Not Live-En Direct, Festival Temps d'Images, Brussels, 2003

1996

Eidos/Telos
The Eidos Telos clips are based on the choreography by William Forsythe. Each clip is a short fly over by helicopter of the performance. Most of them are shaky or blurred, emprissonned in our ultrabright searchlight.

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Website/Multimedia

2004
2000
1999
1998
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Executive production of

2000
- The Cutting - digital video – 90'
  A thriller on synchronicity, written by Paul Pourveur and directed by Peter Misotten and Bram Smeyers.
  Three young men are, for unclear reasons, trapped in a sunken road. No matter how hard they try to escape, they always return to the same place. They experience what happens when reality starts to die away. One of them is wounded. The second one tries to heal him. So who is the third one? The story then shifts from a typical Whodunnit to a verbal search for a grip on the reallity.
  Jury award in Korea, Jeonju International Film Festival, 2001
- Soeurs Lumières – digital video - 20'
  Written and directed by Karen Vanderborght.
  An experimental film about 2 girls, both fascinated by light. They promised each other to write although they will never see each other, until one of them has a car crash.
1998
- State of Dogs- 35mm – 90'
  State of Dogs is a mix of personal journey and social commentary. The film is structured by the reminiscences of Basaar, a stray dog killed by a hunter in Ulan Bator. Mongolians believe that dogs are reincarnated as human beings, but Basaar is reluctant to accept this fate. Basaar's story is intertwined with Mongolian myth and contemporary verse. A feature film written and directed by Peter Brosens.
- Matroos - digital video – 16'
  Dreaming about exotic countries, marvelous starry skies and inevitable homesickness that would bring his Sailor friend back, a teenager faces Directed by Bavo Defurne.
1996
- Bereft of a Blissfull Union - 16mm
  Dancers tumbling into water and drowning because the surface is covered by a huge sheepskin on which a sleeping woman lies - a reference to the mad Ophelia who drowns herself. The men are pulled into the depths by women wearing dog masks. The fish-like swimmers beat the underside of the surface. From panic or from anger? On the other side the beautiful Ophelia is startled by the literal underskin force. What rumbles in her head?
1995
- Als werkelijkheidszin bestaat moet mogelijkheidszin ook bestaan - 35mm - 90'
  A feature film based on the theatre play of Robert Musil. The film is directed by Franscisca Lambrechts.
  Internationales Forum des Jungen Films, 1995.
1994
- Love Sonnets- 35 mm – 50'
  A film based on the dance performance choreographed by Michèle Anne De Mey.Filmed in Spain. The film is directed by Thiery De Mey.
- Saïd and Marry - 16 mm – 26'
  Wim Vandekeybus incorporates elements of the story of Kalina and Petkutin by Milorad Pavíc. The setting in Morocco stands for a brutality and vitality that is at once liberating and alarming: dream and nightmare at the same
1993
- Videofragments/Erts - videoinstallation
  During the dance performance 'Erts' choreographed by Anne-Teresa De Keersmaeker, several video's are projected. These are directed by Walter Verdin.
- Elba en Federico - 16 mm – 26'
  Based on a book by Italo Calvino, it tells the story the couple Elba and Federico. The man works at night, the woman during the day. Directed by Wim Vandekeybus.
  Best short film, Brussels Filmfestival 1994.
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Selected Articles
(published in English and German)
- Interview with John Pijnappel, The Mind Machine of dr. Forsythe, World Wide Video Festival, 1994, pp.200-204.
- Ballet tanz International, The Mind Machine of dr. Forsythe, Februar 1994, pp.3-6.
- Herman Asselberghs, Video als grensganger, over Il combattimento di Tancredi e Clorinda, videoinstallatie van Ana Torfs en Els Opsomer, en The Mind Machine of Dr. Forsyth, videoinstallatie van Anne Quirynen, Etcetera, 1994.
- The Mind Machine of dr. Forsythe, Elle, Japan, May 1995.
- Edith Boxberger, Art and Video in Europe, Electronic Undercurrents, Pulsations in a crusted landscape, Statens Museum for Kunst, Copenhagen, 1996, pp.34-35.
- Edith Boxberger, Growth between the Genres, A Film with Frankfurt's Ballet: ‚The Way of the Weed'. Ballet Tanz International, May 1997.
- Edwin Carels, Digitale eigenzinnigheid, 'the Way of the Weed, De Morgen, March 8, 1997.
- Tom Paulus, The King of Single Valley, Andere Sinema, 1997.
- Metropolis M, The way of the weed, Dec./Jan. 1997 1998.
- Dirk Fuhrig, Everything will be allright, Ballet tanz International, Juli 1998.
- Mary Brennan, Those crucials moments caught by the camera, The Herald, April 4, 1998.
- Andreas Denk, 11. European Media Art Festival 1998, Kunstforum, Bd 141. pp.362-367. 1998.
- Gerald Siegmund, Bizarre Pas de deux im Wasserbassin, 'The Way of the Weed' im Museum für Moderne Kunst, April 22, 1998.
- Roy van de Graaf, Werk Forsythe verklaard zonder dans, de Volkskrant, June 4, 1998.
- Paul Groot, Everything will be allright, Retrospective of WWVF, Amsterdam, 2003.
- Interview with Stefanie Schulte Strathaus, Zwischen Erinnern und Vergessen, Frauen und Film, Spring 2004.
- Das Facettenauge, Nicht jedes Bild, das sich bewegt, markiert das Kino, Stefanie Schulte Strathaus, Berliner Festspiele, September 2004.
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		Portrait - Prof. Anne Quirynen

		Biografie Video Installation Exhibitions Digital Film Selection Website/Multimedia Executive production of Selected Articles Biografie Ihre Filme und Videoinstallationen werden auf Internationalen Festivals wie dem International Festival of New Film Split, Rotterdam Filmfestival, European Media Art Festival Osnabrück, World Wide Video Festival Den Haag oder Art & Video in Europe Kopenhagen gezeigt wie auch in Kunstzentren wie dem Centre Pompodou Paris, dem MoMA New York, dem Stedelijk Museum Amsterdam oder dem Nippon Cultural Centre Tokyo. 2003: Dozentin für Videoinstallation am Chicagoer School of the Art Institute 1999: Ein Stipendium des Nipkow Programms führt sie nach Berlin, im folgenden Jahr: Besuch eines Fortbildungskurses für Digitale Filmproduktion in Babelsberg. 1994: Mitbegründerin der unabhängigen Produktionsfirma für Digitale Kunst "De Filmfabriek". seit 1993: freischaffende Arbeiten sowie u.a. zusammen mit William Forsythe und Wim Vandekeybus. 1988: Abschluss des Studiums danach: Arbeit als Regisseurin in der Abteilung für Videokunst an der Katholischen Universität Leuven und am Vlaams Theater Instituut Brüssel Studium der Kunstgeschichte in Leuven und Videokunst an der Hogeschool Sint-Lukas in Brüssel 1960 in Sint-Niklaas (Belgien) geboren. nach oben Video Installation Exhibitions 2004 Maximiliaans Gartenlaub(e)chen a queer one screen cinema constructed on a stair, showing two strangers living in the woods of Berlin. With Antonija Livingstone and Antonia Baehr. Ausland, Berlin, November 2004 Interzone Berliner Festspiele - KONZERT OPER 04 Eight right-angled white screens form a circle around the public and the musicians. They are sitting in the inner circle of the so called zoetrope. Video installation as stage setting for a concert based upon the work of W.S. Burroughs. Music composed by Enno Poppe Libretto written by Marcel Beyer Produced by Berliner Festspiele Festwochen Opening of Konzert Oper 04, Berlin, September 2004 2000 Jetzt Five channels of colour video playback on a black wall and a white floor. Video installation, as a part of the dance performance 'Jetzt'- directed by Thomas Hauert. Jetzt concentrates on the unique instant between the fall and the landing of a human body. LuzernTanz, Luzern, 2000 Kaaitheater, Brussel, 2001 ADC, Genève, 2001 Centre Pompidou, Paris, 2001 Festival de la nouvelle danse, Uzès, 2001 Pôle Sud, Strasbourg, 2002 Tanz in Olten, Olten , 2002 Dans in Kortrijk, Kortrijk , 2002 CC Hasselt, Hasselt / België, 2002 Klapstuk, Leuven / België .2002 SZENESalzburg, Salzburg, Oostenrijk, 2002 (Nes)Frascati, Amsterdam/Nederland, 2002 Tanzquartier, Wenen/Oostenrijk, 2002 1997 Locus Solus One channel colour video playback on a glass plate suspended from the ceiling. Two channels amplified sound. A negative image of a head, projected vertically. This head repeats over and over again, but very slowly: ‚Everything will be allright'.Boijmans van Beuningen, Rotterdam, 1997 Galerie ‚XSO', Antwerpen, 1998 Everything will be allright Seven channels colour video playback on 23 screens and one monitor. Six channels amplified sound. Humans are afloat in narrow containers, weightless and most of the time motionless. There are two rows of containers, seamlessly attached. As in a Museum of Natural History, the visitor can walk between the two rows or between the screens and the projectors. Every now and then a wave of motion goes through the containers, as if something disturbs the hibernating creatures - but this passes and everything goes on in the same soothing way. With Peter Missotten and An-Marie Lambrechts ‚Het Stedelijk Museum', Amsterdam. 1997 European Media Art Festival, Osnabrück,1998 Galerie ‚XSO', Antwerpen, 1998 De melkfabriek, Utrecht, 1999 World Wide Video Festival, Amsterdam, 2003 Not Live-En Direct, Festival Temps d'Images, Brussels, 2003 1995 Faustae Tabulae One channel colour video playback on two rotating screens. Live music and one channel amplified sound. Video installation, as a part of the theatre performance 'Faust'- directed by Thierry Salmon based upon Paul Auster and Ph.K. Dick. KunstenfestivaldesArts, Brussel, 1995 Festival di teatro, Bologna 1995 CRT Milano, Italy, 1995 Adjuntement de Barcelona, Spain, 1995 1993 The Mindmachine of Dr. Forsythe Seven channels colour video playback on six glassplates, hanging on six huge cranes. Two channels amplified sound. Co-Directed by Peter Missotten and An-Marie Lambrechts Nine dancers of the Ballett of Frankfurt, move slowly on glass. As bacteria stranded in a giant microscope. They leave their bodies' imprints on glass, redrawn and rewritten with every new movement made. Transcriptions - glyphs on glass. Antwerpen Kulturhaupstadt 1993, Oper Frankfurt, 1994 World Wide Video Festival, Den Haag 1994 European Media Art Festival, Osnabrück,1994 Nippon Cultural Centre, Tokyo, 1994 Eisfabriek, Hannover, 1995 Art & Video in Europe, Kopenhagen 1996 Klapstuc 1996, Leuven Not Live-En Direct, Festival Temps d'Images, Brussels, 2003 nach oben Digital Film Selection* 2004 The Lady is Hungry (in preproduction) Play with the imagination of women bodies on various levels, by women filmmakers and artists since the last twenty years. The essay film wants to examine the evolution of women images from the seventies to the digital image worlds now. The Lady is Hungry explores and links to topics like geography, body, technology and history. Production: Uta Ganshow, Twenty Twenty, Berlin. 2001 In a landscape The video creates a series of explorative spaces of Berlin during the night. With extreme digital zooms I filmed connections between these spaces, me as an observer and other women. Based upon the music of John Cage, In a Landscape. Live Performance Cinema Nova, Brussels, 2000 Museum van Hedendaagse Kunst, Antwerpen, 2001 Museum van Hedendaagse Kunst, Gent, 2002 Kino Arsenal, Berlin, 2002 Stuk, Leuven, 2003 1997 The Way of the Weed Year is 7079. Researcher Thomas McManus is dropped in a desert and is meant to find out about an old experiment. He gathers samples of the desert grounds and discovers the collector, the place where the former experiment used to take place. He manages to hack into the computer and is stunned: instead of discovering weed and weed movements he stumbles into a team of weed researchers, or rather whats left of them. Based upon ‚Locus Solus' of Raymond Roussel. Co-Directed by Peter Missotten and An-Marie Lambrechts. Prizes: The new Visions Award von Film+arc.Graz, 1997 Selection: Rotterdam Filmfestival, Exploding Cinema, 1998 Viper, Luzern, 1998 Centre pour l'image contemporaine, Saint Gervais, Geneve, 1998 New York Video Festival Lincoln Center Festival, New York, 1998 3. International Festival of New Film Split, Split, 1998 Image Forum Festival, 1998 Moma, New york, 1999 Not Live-En Direct, Festival Temps d'Images, Brussels, 2003 1996 Eidos/Telos The Eidos Telos clips are based on the choreography by William Forsythe. Each clip is a short fly over by helicopter of the performance. Most of them are shaky or blurred, emprissonned in our ultrabright searchlight. nach oben Website/Multimedia 2004 since 1999. Creation of the website of the International forum of new cinema. (www.fdk-berlin.de) 2000 Creation of the video-lounge corner of atrecordings, which is a internet label platform whose aim is to present a broad range of non-mainstraim music to a broader public. 1999 Die Zauberflöte - CD-ROM An opera directed by Ursel and Karl-Ernst Hermann. The CD-ROM contains fragments of the concerts in the Munt in Brussels in December 1996. 1998 DzigaROM - CD-ROM An art and video search engine about videomakers in Flanders. With all short synopses, sample clips, stills and filmographies. nach oben Executive production of 2000 The Cutting - digital video – 90' A thriller on synchronicity, written by Paul Pourveur and directed by Peter Misotten and Bram Smeyers. Three young men are, for unclear reasons, trapped in a sunken road. No matter how hard they try to escape, they always return to the same place. They experience what happens when reality starts to die away. One of them is wounded. The second one tries to heal him. So who is the third one? The story then shifts from a typical Whodunnit to a verbal search for a grip on the reallity. Jury award in Korea, Jeonju International Film Festival, 2001 Soeurs Lumières – digital video - 20' Written and directed by Karen Vanderborght. An experimental film about 2 girls, both fascinated by light. They promised each other to write although they will never see each other, until one of them has a car crash. 1998 State of Dogs- 35mm – 90' State of Dogs is a mix of personal journey and social commentary. The film is structured by the reminiscences of Basaar, a stray dog killed by a hunter in Ulan Bator. Mongolians believe that dogs are reincarnated as human beings, but Basaar is reluctant to accept this fate. Basaar's story is intertwined with Mongolian myth and contemporary verse. A feature film written and directed by Peter Brosens. Matroos - digital video – 16' Dreaming about exotic countries, marvelous starry skies and inevitable homesickness that would bring his Sailor friend back, a teenager faces Directed by Bavo Defurne. 1996 Bereft of a Blissfull Union - 16mm Dancers tumbling into water and drowning because the surface is covered by a huge sheepskin on which a sleeping woman lies - a reference to the mad Ophelia who drowns herself. The men are pulled into the depths by women wearing dog masks. The fish-like swimmers beat the underside of the surface. From panic or from anger? On the other side the beautiful Ophelia is startled by the literal underskin force. What rumbles in her head? 1995 Als werkelijkheidszin bestaat moet mogelijkheidszin ook bestaan - 35mm - 90' A feature film based on the theatre play of Robert Musil. The film is directed by Franscisca Lambrechts. Internationales Forum des Jungen Films, 1995. 1994 Love Sonnets- 35 mm – 50' A film based on the dance performance choreographed by Michèle Anne De Mey.Filmed in Spain. The film is directed by Thiery De Mey. Saïd and Marry - 16 mm – 26' Wim Vandekeybus incorporates elements of the story of Kalina and Petkutin by Milorad Pavíc. The setting in Morocco stands for a brutality and vitality that is at once liberating and alarming: dream and nightmare at the same 1993 Videofragments/Erts - videoinstallation During the dance performance 'Erts' choreographed by Anne-Teresa De Keersmaeker, several video's are projected. These are directed by Walter Verdin. Elba en Federico - 16 mm – 26' Based on a book by Italo Calvino, it tells the story the couple Elba and Federico. The man works at night, the woman during the day. Directed by Wim Vandekeybus. Best short film, Brussels Filmfestival 1994. nach oben Selected Articles (published in English and German) Interview with John Pijnappel, The Mind Machine of dr. Forsythe, World Wide Video Festival, 1994, pp.200-204. Ballet tanz International, The Mind Machine of dr. Forsythe, Februar 1994, pp.3-6. Herman Asselberghs, Video als grensganger, over Il combattimento di Tancredi e Clorinda, videoinstallatie van Ana Torfs en Els Opsomer, en The Mind Machine of Dr. Forsyth, videoinstallatie van Anne Quirynen, Etcetera, 1994. The Mind Machine of dr. Forsythe, Elle, Japan, May 1995. Edith Boxberger, Art and Video in Europe, Electronic Undercurrents, Pulsations in a crusted landscape, Statens Museum for Kunst, Copenhagen, 1996, pp.34-35. Edith Boxberger, Growth between the Genres, A Film with Frankfurt's Ballet: ‚The Way of the Weed'. Ballet Tanz International, May 1997. Edwin Carels, Digitale eigenzinnigheid, 'the Way of the Weed, De Morgen, March 8, 1997. Tom Paulus, The King of Single Valley, Andere Sinema, 1997. Metropolis M, The way of the weed, Dec./Jan. 1997 1998. Dirk Fuhrig, Everything will be allright, Ballet tanz International, Juli 1998. Mary Brennan, Those crucials moments caught by the camera, The Herald, April 4, 1998. Andreas Denk, 11. European Media Art Festival 1998, Kunstforum, Bd 141. pp.362-367. 1998. Gerald Siegmund, Bizarre Pas de deux im Wasserbassin, 'The Way of the Weed' im Museum für Moderne Kunst, April 22, 1998. Roy van de Graaf, Werk Forsythe verklaard zonder dans, de Volkskrant, June 4, 1998. Paul Groot, Everything will be allright, Retrospective of WWVF, Amsterdam, 2003. Interview with Stefanie Schulte Strathaus, Zwischen Erinnern und Vergessen, Frauen und Film, Spring 2004. Das Facettenauge, Nicht jedes Bild, das sich bewegt, markiert das Kino, Stefanie Schulte Strathaus, Berliner Festspiele, September 2004. nach oben